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What a day for Nikon enthusiasts! D5 and D500 announced.

The D5 was already pre-announced and leaks during the last few weeks provided enough information already. Therefore the actual specification do not come as a big surprise.

The D500 will hit many people as a very big surprise. Most of us had given up hope for a pro-DX body long time ago. I published an editorial complaining about the lack of a D300s successor in 2013, latest in 2014  I also had given up hope.

The D500 comes in a “real” body (at least that is what press pictures indicate), provides an AF-ON button, offers 10 fps frame rate without completely breaking the bank for the first time in years, provides a moderate resolution at 20 MP and even comes with a rounded eyepiece! To provide one XQD slot is – in my opinion – also a very wise decision.

I was all set to drool over the D5 tonight, but the D500 steals the show absolutely. Today many people waiting for a D300/s replacement will be very, very happy.

D5 at Nikon.com

D500 at Nikon.com

40th anniversary of digital photography – a Kodak moment

On the 8th of December 1975 the Kodak engineer Steven Sasson created the first digital image from a CCD sensor. The picture had a resolution of 100×100 pixel and was stored on a cassette.

So, it’s time to say happy birthday today 🙂

The fact that digital photography was invented by Kodak, but not utilized to the fullest potential by its inventor is an often told fairytale. The short story always is: digital killed film and that killed Kodak. Things are not that simple.

Many seem to simply ignore that Kodak not only invented digital photography, but also was looking for ways to turn this into a successful business.

In my opinion they were in a way trapped, because they have been for a very long time not only in the film, but also in the camera business. However, they only produced simple and cheap cameras to fuel sales of their film in the mass market. The more sophisitcated cameras always came from other companies and never from Kodak.

When digital photography started, there was no way to produce cheap cameras due to the high costs involved. Kodak had no experience how do build a DSLR, which would be needed to sell a digital sensor of the early days. Nobody would have bought a simple point and shoot with fixed optics for several thousand dollars.

For a long time, Kodak bought Canon and Nikon film bodies and equipped them with a digital sensor plus the needed electronics in a fancy (read: ugly) attachment at the camera bottom. As a matter of fact, the first DSLRs from the two  big camera makers  came from Kodak. They were also market leader in this area until 1999, when Nikon introduced the D1.

What killed off Kodak was not digital photography per se, but the problem that they simply were not a camera company or a leading silicone manufacturer (production and refinement of sensors). As soon as the camera companies started to produce their own digital cameras, Kodak was doomed.

By the way: Which was the first full frame Nikon DSLR? You might have guessed: Kodak 14n, 14 MP full frame announced at Photokina 2002. Full five years before the Nikon D3.

Once again: Happy birthday to digital photography!

Lens designer – a horrible job?

On the Nikkor.com page an article has been published some month ago about the core pro-range lens set, known to many as the “Holy Trinity” and called the “Three Big Dragons” by Nikon.

I do not fully agree on the definition of the second generation set. From my point of view the AF-S 80-200mm 2,8 belongs to this generation and not the 70-200mm 2,8 VR 1.

However, thre is a very remarkable sentence contained about the designer of the 35-70mm 28 lens, who might have had a very hard job, leading to other hard consequences:

“We’ll start with the AF Zoom NIKKOR 35-70mm f/2.8 standard zoom lens, which was developed in 1987 by the hard-drinking optic designer Kiyotaka Inadome. “

Which employee does not dream about being mentioned decades later on the corporate website in such a honorable way?

 

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